photo credit: Brian Friedman
Four-time Grammy-winning, genre-defying musical collective Snarky Puppy’s highly anticipated new album Empire Central is out now via the band’s own GroundUP Music imprint. The album is available to purchase/stream HERE.
In celebration of the recent release the band is debuting a live-in-studio performance video of their latest single “RL’s” from the album’s recording sessions; Dedicated to the famous Dallas blues shack, RL’s Blues Palace II, the track alternates between typical blues/shuffle elements and variations of them. In true Texas fashion, it features guitar solos by Bob Lanzetti and Mark Lettieri, as well as a closing solo from Bobby Sparks on distorted clavinet.
The group also recently premiered the videos for album tracks “Trinity,” “Bet,” “Belmont” and “Take It!,” receiving critical praise from NPR Music, NPR’s “Here & Now,” JAZZIZ, TIDAL and many more.
Recorded over the course of eight nights in front of a live-in-studio audience at Dallas’ Deep Ellum Art Company, Empire Central consists of 16 all-new tracks heavily influenced by and paying homage to the city that gave birth to the group after they formed while studying in the fabled jazz program at the University of North Texas. The record also features the last recorded performance of ’80s funk pioneer and Snarky Puppy’s musical Godfather Bernard Wright, who passed away tragically at age 58 shortly after the Empire Central recording sessions.
The band is also set to tour Europe throughout the fall before hitting the road in the U.S. in Spring, 2023. See below for a list of U.S. tour dates.
Additionally, Snarky Puppy has partnered with Osiris Media to create a new podcast documenting the writing, recording and creative process of Empire Central. All three episodes of the Transmissions from Deep Ellum podcast will be available in the coming weeks.
With a lineup consisting of three guitarists, four keyboardists, two brass, two reeds, a violinist, multiple percussionists and drummers and bandleader Michael League on bass, Empire Central expands upon the collective’s wide array of influences including blues, hard rock, classic soul, modern gospel, funk, new tech, fusion and jazz. In reviewing the first of the band’s eight Deep Ellum performances from which the record was culled, the Dallas Morning News raves that “in classic Snarky Puppy fashion, the new tunes zigzagged with laser precision between jazz, funk and wigged-out prog-rock.”
“Snarky Puppy has always been a band that prioritizes the sound of the music,” notes League. “On this record there was some collaboration in the writing process but when a song goes to the band and the players start making suggestions or changing things our collective feeling really comes through. The songs ended up being a lot more direct and funkier than those on our previous records. I think it reflects the many moods of the city’s scene.”
A musical collective featuring as many as 25 members in regular rotation, Snarky Puppy was formed by bassist and primary composer Michael League in 2004, starting inconspicuously enough as a group of college friends at the University of North Texas’ Jazz Studies program. The group has won four Grammy Awards (Best R&B Performance in 2014 and Best Contemporary Instrumental Album in 2016, 2017 and 2021) and its members each maintain busy schedules as sidemen (with such artists as Erykah Badu, Snoop Dogg, Kendrick Lamar and D’Angelo), producers (for Kirk Franklin, David Crosby and Salif Keïta) and solo artists (many of whom are on the band’s independent label, GroundUP Music). At its core, the band represents the convergence of both black and white American music culture with various accents from around the world. Japan, Argentina, Canada and the United Kingdom all have representation in the group’s membership. But more than the cultural diversity of the individual players, the defining characteristic of Snarky Puppy’s music is the joy of performing together in the perpetual push to grow creatively.
SNARKY PUPPY SPRING, 2023 TOUR
March 29—Palace Theatre—St. Paul, MN
March 30—Pabst Theater—Milwaukee, WI
March 31—The Riviera Theatre—Chicago, IL
April 1—Hard Rock Northern Indiana—Gary, IN
April 2—State Theatre—Kalamazoo, MI
April 5—TempleLive Cleveland Masonic—Cleveland, OH
April 6—Town Ballroom—Buffalo, NY
April 8—Roadrunner—Boston, MA
April 10—Tillis Hall at the Fine Arts Center, UMASS—Amherst, MA
April 12—Chubb Theatre, Capitol Center for the Arts—Concord, NH
April 13—Beacon Theatre—New York, NY
April 14—Union Transfer—Philadelphia, PA
April 16—Cornell University Concert Series at Bailey Hall—Ithaca, NY
April 19—Warner Theatre—Washington, DC
April 20—Stage AE—Pittsburgh, PA
April 24—Ritter Amphitheater—Huntington, WV
April 26—Ryman Auditorium—Nashville, TN
April 28—The Eastern—Atlanta, GA