On October 2nd, 2020, Demon Music Group will release Distortion: 1989-2019, a chronicle of the solo career of Bob Mould and his band Sugar. This massive anthology compiles for the first time the entirety of Mould’s recorded work from 1989 onwards: 18 studio albums, plus four live albums and two albums of rarities and collaborations. Assembled with Bob Mould’s full involvement and featuring new sleeve notes from legendary UK music critic Keith Cameron plus exclusive new artwork, this is the definitive portrayal of an American rock icon.
“It’s called Distortion because it describes the music and it fits the world we live in,” says Mould himself. “In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin — though somehow I seem to be able to crawl my way out of the dirt every time!”
Today’s news comes accompanied by audio and video of Mould performing ‘Could You Be the One?’ – a latter Hüsker Dü classic, drawn from the trio’s 1987 swansong Warehouse: Songs and Stories – at Washington D.C.‘s 9:30 Club in October 2005, in the process bringing it back to dynamic, electric life. It features on the CD anthology’s Distortion Plus: 1989-2019 rarities and collaborations discs alongside other highlights from the show.
Speaking of the show, Mould offers: “For years, I didn’t play Hüsker Dü material with my subsequent touring bands.” He continues: “This was the first time my longtime friend and colleague Jason Narducy (bass) played in my touring band. Rich Morel (keys) was my work partner for 11 years in BLOWOFF, and the 9:30 Club was home for our monthly dance party. Brendan Canty (drums) nudged me out of my self-imposed ‘rock retirement’ after the 1998 Last Dog and Pony Show tour (which is also chronicled in the box set). Brendan’s company Trixie Productions filmed and edited the show.”
As Mould’s musical trajectory enters its fifth decade, now is the perfect moment to reflect on the journey so far. Distortion’s 24-CD box set edition features 295 tracks, mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston, and includes every solo album from 1989’s Workbook to 2019’s Sunshine Rock, the entire Sugar catalogue, Mould’s long out-of-print electronica projects LoudBomb and Blowoff, and four live albums spanning the period 1989-2008. Also included is Distortion Plus: 1989-2019, a new and exclusive collection of rarities and collaborations, featuring such highlights as ‘Dear Rosemary’, Mould’s 2011 collaboration with Foo Fighters, his fabled Golden Palominos contribution ‘Dying From The Inside Out’, plus a previously unreleased demo version of ‘Dog On Fire’, his theme tune for Comedy Central’s The Daily Show.
Beautiful new artwork has been created by illustrator Simon Marchner, while the 72-page booklet features sleeve notes by Cameron, new interviews with Bob, a foreword by writer and actor Fred Armisen, testimonials by Richard Thompson, Shirley Manson and Best Coast’s Bethany Cosentino, plus lyrics and unseen memorabilia. A 1,000-limited edition includes an exclusive print hand-signed by Bob himself.
Also released on October 2nd is the first in a series of four vinyl box sets spanning the same 30-year period. Distortion: 1989-1995 contains eight-LPs, beginning with Workbook through to the final Sugar studio album File Under: Easy Listening, plus Besides, Sugar’s compilation of B-sides and non-album tracks and Distortion Plus: 1989-1995 a new and exclusive collection of rarities and collaborations. Each album is mastered by Jeff Lipton and Maria Rice and features new Simon Marchner artwork; the 28-page companion booklet features new sleeve notes plus lyrics and memorabilia, while a 750-limited edition includes a 12”x12” screen print of the new Copper Blue artwork, hand-signed by Marchner and Mould.
